创意预览图

A3横版东坡栖常——苏轼与常州文化文创全体系设计展板,整体简约素雅宋韵美学风格,纯白底,纯矢量简洁线条。分区展示:苏轼生平时间轴、常州结缘、舣舟亭、东坡肉网油卷阳羡贡茶在地风物,标准配色主色运河青紫藤

用户头像

穆昱含

2026.05.26
Chinese vertical Su Xiu (Suzhou Embroidery) cultural exhibition board, 3:4 aspect ratio, 2K resolution, elegant Jiangnan style. Top main title with red seal frame "苏韵流芳·绣美生活", English translation below. Left column: vertical timeline: <br>1. Spring and Autumn and Warring States Period: Su embroidery first appeared, craft was budding<br>2. Ming Dynasty: craft matured, became imperial court product<br>3. Modern times: integrated Chinese and Western techniques, went to the world<br>4. Contemporary: inherited innovation, embrace new life. Below the timeline, process characteristics: three core stitches: 1. Plain stitch: neat stitches, soft colors; 2. Random stitch: flexible, layered, strong expressive force; 3. Double-sided embroidery: both sides are beautiful, unique ingenuity. Right upper part: innovative applications, divided into three sections: 1. Home: pillow for sofa, decorative fan, show the scene; 2. Apparel: embroidered cheongsam, scarf, handbag; 3. Cultural creation: bookmarks, notebook, mobile case. Right lower part: market analysis card: "Market Growth Trend: ↑ ", "Proportion of Young Customer Group: +45%". Bottom: slogan "一针一线,绣出江南韵味", English translation. Background: light ink Jiangnan bridge water town, upper left corner: close-up of Su embroidery flower with real silk texture, soft light, main color moon white, dark blue, light ochre, red accent, clean typesetting, accurate Chinese and English text, traditional Chinese style, high detail.Chinese vertical Su Xiu (Suzhou Embroidery) cultural exhibition board, 3:4 aspect ratio, 2K resolution, elegant Jiangnan style. Top main title with red seal frame "苏韵流芳·绣美生活", English translation below. Left column: vertical timeline: <br>1. Spring and Autumn and Warring States Period: Su embroidery first appeared, craft was budding<br>2. Ming Dynasty: craft matured, became imperial court product<br>3. Modern times: integrated Chinese and Western techniques, went to the world<br>4. Contemporary: inherited innovation, embrace new life. Below the timeline, process characteristics: three core stitches: 1. Plain stitch: neat stitches, soft colors; 2. Random stitch: flexible, layered, strong expressive force; 3. Double-sided embroidery: both sides are beautiful, unique ingenuity. Right upper part: innovative applications, divided into three sections: 1. Home: pillow for sofa, decorative fan, show the scene; 2. Apparel: embroidered cheongsam, scarf, handbag; 3. Cultural creation: bookmarks, notebook, mobile case. Right lower part: market analysis card: "Market Growth Trend: ↑ ", "Proportion of Young Customer Group: +45%". Bottom: slogan "一针一线,绣出江南韵味", English translation. Background: light ink Jiangnan bridge water town, upper left corner: close-up of Su embroidery flower with real silk texture, soft light, main color moon white, dark blue, light ochre, red accent, clean typesetting, accurate Chinese and English text, traditional Chinese style, high detail.
新中式平面设计海报,主题“留园·观筑”——苏州留园核心建筑群艺术展板,淡雅水墨与淡彩结合,建筑局部精细描绘,带有手绘线稿与淡彩渲染的混合质感。画面采用竖版构图,画面中央偏下位置,涵碧山房与明瑟楼组合成“画舫”形态,临水而建,飞檐翘角;画面右侧前方是五峰仙馆,楠木厅堂内部结构隐约可见,厅前立有五座太湖石峰;画面左侧后方是林泉耆硕之馆,以冠云峰为背景,呈现鸳鸯厅的双屋顶和华丽梁架。一条蜿蜒的曲廊从左下角开始,绕过涵碧山房,穿过中部,连接三组建筑,廊壁上有漏窗和书条石。曲廊的线条用深灰色勾勒,并在关键转折处点缀红色柱子和挂落。水面倒影用淡青色渲染,天空留白。文字信息:画面上方留白处用竖排宋体书写大标题“留园·观筑”,下方小字“厅堂敞丽,曲廊逶迤”。在涵碧山房附近标注文字框:“涵碧山房+明瑟楼|楼阁如舱,敞厅如舫,盛夏纳凉胜处。 在五峰仙馆旁标注:“五峰仙馆|五开间九架屋,厅南五峰,内有楠木隔扇,绢本花鸟。 在林泉耆硕之馆旁标注:“林泉耆硕之馆|鸳鸯厅形制,一屋双轩。北厅方梁雕花(男厅),南厅圆梁无雕花(女厅)。北对冠云峰,额题‘奇石寿太古’。” 曲廊末端标注:“曲廊|七百余米,随形而弯,步移景异。廊壁嵌历代法帖三百余方。”色彩:主色为灰褐色(木结构)、青绿色(水与植物)、米白(墙体与留白),点缀朱红(柱子、挂落)、淡金色(梁架雕花)。整体饱和度偏低,营造古籍插画感。光影:柔和的侧逆光,突出建筑轮廓和屋檐阴影。水面有淡淡的涟漪和建筑倒影。构图:采用“散点透视”手法,将三组建筑并置在同一画面,通过曲廊的S形曲线串联。近景为曲廊栏杆和漏窗,中景为建筑主体,远景为留园西部山林虚影。新中式平面设计海报,主题“留园·观筑”——苏州留园核心建筑群艺术展板,淡雅水墨与淡彩结合,建筑局部精细描绘,带有手绘线稿与淡彩渲染的混合质感。画面采用竖版构图,画面中央偏下位置,涵碧山房与明瑟楼组合成“画舫”形态,临水而建,飞檐翘角;画面右侧前方是五峰仙馆,楠木厅堂内部结构隐约可见,厅前立有五座太湖石峰;画面左侧后方是林泉耆硕之馆,以冠云峰为背景,呈现鸳鸯厅的双屋顶和华丽梁架。一条蜿蜒的曲廊从左下角开始,绕过涵碧山房,穿过中部,连接三组建筑,廊壁上有漏窗和书条石。曲廊的线条用深灰色勾勒,并在关键转折处点缀红色柱子和挂落。水面倒影用淡青色渲染,天空留白。文字信息:画面上方留白处用竖排宋体书写大标题“留园·观筑”,下方小字“厅堂敞丽,曲廊逶迤”。在涵碧山房附近标注文字框:“涵碧山房+明瑟楼|楼阁如舱,敞厅如舫,盛夏纳凉胜处。 在五峰仙馆旁标注:“五峰仙馆|五开间九架屋,厅南五峰,内有楠木隔扇,绢本花鸟。 在林泉耆硕之馆旁标注:“林泉耆硕之馆|鸳鸯厅形制,一屋双轩。北厅方梁雕花(男厅),南厅圆梁无雕花(女厅)。北对冠云峰,额题‘奇石寿太古’。” 曲廊末端标注:“曲廊|七百余米,随形而弯,步移景异。廊壁嵌历代法帖三百余方。”色彩:主色为灰褐色(木结构)、青绿色(水与植物)、米白(墙体与留白),点缀朱红(柱子、挂落)、淡金色(梁架雕花)。整体饱和度偏低,营造古籍插画感。光影:柔和的侧逆光,突出建筑轮廓和屋檐阴影。水面有淡淡的涟漪和建筑倒影。构图:采用“散点透视”手法,将三组建筑并置在同一画面,通过曲廊的S形曲线串联。近景为曲廊栏杆和漏窗,中景为建筑主体,远景为留园西部山林虚影。