Yangtze riverhead with willow catkins flying like snow, two friends parting at ferry, spring twilight, impressionist painting style-1qlia6ob48rIkTHw-HB-稿定 AI

创意预览图

Yangtze riverhead with willow catkins flying like snow, two friends parting at ferry, spring twiligh

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2026.06.19

水墨艺术风格，汪伦作揖送别，不远处江面有一艘即将远去的小舟，李白独立舟上向汪伦回望作揖道别，江水悠悠，垂柳依依，江上波光粼粼，远处山峦若隐若现，桃花纷飞，送别情谊深厚而温暖，细节丰富，画面中无故事性文字，高清画质

水墨艺术风格，汪伦作揖送别，不远处江面有一艘即将远去的小舟，李白独立舟上向汪伦回望作揖道别，江水悠悠，垂柳依依，江上波光粼粼，远处山峦若隐若现，桃花纷飞，送别情谊深厚而温暖，细节丰富，画面中无故事性文字，高清画质

古诗词

中国唐代风格，冬日荒野送别场景，漫天黄云，北风大雪，两位中年文人站在古道旁对饮告别，一人背琴，一人执杯，神情坚毅而温柔，远处有飞雁，冷色调为主但人物面部有暖光，电影感构图，写实水墨风，高清细节

中国唐代风格，冬日荒野送别场景，漫天黄云，北风大雪，两位中年文人站在古道旁对饮告别，一人背琴，一人执杯，神情坚毅而温柔，远处有飞雁，冷色调为主但人物面部有暖光，电影感构图，写实水墨风，高清细节

A lone sailboat disappearing into the vast blue sky at the horizon, the Yangtze River stretching endlessly under a soft golden sunset, a lone figure standing on the riverbank in the foreground, back facing the viewer, wearing traditional Chinese attire, melancholic yet poetic atmosphere, distant Yellow Crane Tower faintly visible on the left, gentle ripples on the water, style of independent pop album cover, soft watercolor texture blended with digital painting, warm muted tones of orange, blue and gray, cinematic lighting, emotional and contemplative mood, no text, high resolution

A lone sailboat disappearing into the vast blue sky at the horizon, the Yangtze River stretching endlessly under a soft golden sunset, a lone figure standing on the riverbank in the foreground, back facing the viewer, wearing traditional Chinese attire, melancholic yet poetic atmosphere, distant Yellow Crane Tower faintly visible on the left, gentle ripples on the water, style of independent pop album cover, soft watercolor texture blended with digital painting, warm muted tones of orange, blue and gray, cinematic lighting, emotional and contemplative mood, no text, high resolution

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水墨画风格，《桂枝香·金陵怀古》诗句画面：晚秋时节，王安石凭栏远眺金陵城，千里澄江如白练般澄澈，两岸翠峰林立，斜阳下江面帆船往来，西风里酒旗斜斜飘动，水畔白鹭翩飞，天空有飞鸟掠过，整体意境辽阔悠远，水墨晕染质感

水墨画风格，《桂枝香·金陵怀古》诗句画面：晚秋时节，王安石凭栏远眺金陵城，千里澄江如白练般澄澈，两岸翠峰林立，斜阳下江面帆船往来，西风里酒旗斜斜飘动，水畔白鹭翩飞，天空有飞鸟掠过，整体意境辽阔悠远，水墨晕染质感

右下角的大印章去掉

右下角的大印章去掉

桃花潭水深千尺不及汪伦送我情帮我以这个场景生成一个工笔素描画/用这张图的绘画手法

桃花潭水深千尺不及汪伦送我情帮我以这个场景生成一个工笔素描画/用这张图的绘画手法

中年薛涛站在原地挥手，望着中年元稹远去的背影，眼神落寞和之前的风格保持一致

中年薛涛站在原地挥手，望着中年元稹远去的背影，眼神落寞和之前的风格保持一致

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水墨工笔交融，雪中古院前师徒对望，松梅映衬，静谧悠远，尽显古典中式文艺之美。

水墨工笔交融，雪中古院前师徒对望，松梅映衬，静谧悠远，尽显古典中式文艺之美。

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背景颜色可以再稍微丰富一点，参考我之前给你的图片“镜头1”桌子上除了放置茶盏、酒壶、还有放置一个茶壶，注意酒壶和茶壶的形象要区分开

背景颜色可以再稍微丰富一点，参考我之前给你的图片“镜头1”桌子上除了放置茶盏、酒壶、还有放置一个茶壶，注意酒壶和茶壶的形象要区分开

Ancient pavilion at dusk, overgrown path, setting sun, lone figure waving, nostalgic and cinematic, oil painting texture

Ancient pavilion at dusk, overgrown path, setting sun, lone figure waving, nostalgic and cinematic, oil painting texture

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41岁中年薛涛与中年元稹在锦江畔漫步，并肩吟诗，神情愉悦

41岁中年薛涛与中年元稹在锦江畔漫步，并肩吟诗，神情愉悦

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左侧的人不要胡须

左侧的人不要胡须

中国唐代诗圣杜甫，行走在壮丽山河之间，古风中国水墨画风格，意境雄浑悠远，展现诗人游历山河的足迹

中国唐代诗圣杜甫，行走在壮丽山河之间，古风中国水墨画风格，意境雄浑悠远，展现诗人游历山河的足迹

中国唐代诗圣杜甫，行走在壮丽山河之间，古风中国水墨画风格，意境雄浑悠远，展现诗人游历山河的足迹

中国唐代诗圣杜甫，行走在壮丽山河之间，古风中国水墨画风格，意境雄浑悠远，展现诗人游历山河的足迹

Ancient Chinese travelers on a muddy road in snow, carrying luggage, walking toward distant mountains, classical ink wash painting style

Ancient Chinese travelers on a muddy road in snow, carrying luggage, walking toward distant mountains, classical ink wash painting style

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调整雨滴的质感，还原原图粟米颗粒感，雨滴本身就是粮食粟，保持整体画面协调和全范围覆盖，保留原有构图和色调

调整雨滴的质感，还原原图粟米颗粒感，雨滴本身就是粮食粟，保持整体画面协调和全范围覆盖，保留原有构图和色调

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参考原图片的水墨国画风格，重新生成古人站在乌篷船上，泛舟荷花水域的古风水画，保留整体构图和复古泛黄纸张质感，保持原风格不变

参考原图片的水墨国画风格，重新生成古人站在乌篷船上，泛舟荷花水域的古风水画，保留整体构图和复古泛黄纸张质感，保持原风格不变

第一人称诗人视角，从古代大帆船船舱望向船外洞庭湖雪景，漫天风雪，江面白茫茫，远处洞庭湖水天相连，朦胧远山，中国水墨古画风格，苍茫孤寂，符合唐代杜甫漂泊的历史氛围

第一人称诗人视角，从古代大帆船船舱望向船外洞庭湖雪景，漫天风雪，江面白茫茫，远处洞庭湖水天相连，朦胧远山，中国水墨古画风格，苍茫孤寂，符合唐代杜甫漂泊的历史氛围

李白诗词《赠汪伦》“桃花潭水深千尺不及汪伦送我情”主题国画插画，沿用参考图中的水墨风格，青绿色山水配色，工笔画技法，古风水墨意境，画面包含桃花潭、青山、送别友人场景，整体配色和晕染风格与参考图一致，横版构图

李白诗词《赠汪伦》“桃花潭水深千尺不及汪伦送我情”主题国画插画，沿用参考图中的水墨风格，青绿色山水配色，工笔画技法，古风水墨意境，画面包含桃花潭、青山、送别友人场景，整体配色和晕染风格与参考图一致，横版构图

修改当前图片，让粟雨雨滴覆盖全图范围，参考第二张图纸尺寸调整大小，修改扩图部分的山体，使其和原图国风描金风格更协调一致，保持整体金色和杏色之间的协调色调，保留原有所有元素

修改当前图片，让粟雨雨滴覆盖全图范围，参考第二张图纸尺寸调整大小，修改扩图部分的山体，使其和原图国风描金风格更协调一致，保持整体金色和杏色之间的协调色调，保留原有所有元素

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唐代江南水乡油纸伞穿梭，柳梢拂水，画舫缓缓划过河面和之前风格保持一致

唐代江南水乡油纸伞穿梭，柳梢拂水，画舫缓缓划过河面和之前风格保持一致

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将山体色调调整回和原图一致的国画风金色描金色调，和整体画面协调，保留当前雨滴形态和所有元素不变

将山体色调调整回和原图一致的国画风金色描金色调，和整体画面协调，保留当前雨滴形态和所有元素不变

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A small boat moored by a misty sandbank at dusk, thin fog rising from the river like a gauze veil, the wild plain stretching endlessly where sky and earth meet the horizon seeming to lower against the distant tree silhouettes, the river so clear it mirrors a full moon hanging close enough to touch, the traveler sitting alone in the boat looking up at the moon, melancholy dissipating like faint smoke into the wind, overall twilight blue and moon-white palette, ink wash painting vast and ethereal

A small boat moored by a misty sandbank at dusk, thin fog rising from the river like a gauze veil, the wild plain stretching endlessly where sky and earth meet the horizon seeming to lower against the distant tree silhouettes, the river so clear it mirrors a full moon hanging close enough to touch, the traveler sitting alone in the boat looking up at the moon, melancholy dissipating like faint smoke into the wind, overall twilight blue and moon-white palette, ink wash painting vast and ethereal

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